Comics
Batman is an ongoing comic book series featuring the DC
Comics hero of the same name. The character first appeared in Detective Comics
#27, published in May 1939. Batman proved to be so popular that a self-titled
ongoing comic book series began publication in the spring of 1940. It was first
advertised in early April 1940, one month after the first appearance of his new
sidekick, Robin, the Boy Wonder. Though
the Batman comic book was initially launched as a quarterly publication, it
later became a bimonthly series through the late 1950s, after which it became a
monthly publication and has remained so since. The original series ended in
2011 and was relaunched with a new first issue.
The Batman saga takes place primarily in the
fictional municipality of Gotham City, a city overrun with crime, graft, and
corruption. Its citizens live in perpetual fear from the vast number of
criminals, gangs and common thugs. In an effort to combat the cancerous
infection of crime, billionaire philanthropist Bruce Wayne creates the costumed
persona of the Batman to prey on the superstitious and cowardly criminals'
fears. Wayne, a young socialite who witnessed his parents' murder during a
mugging when he was a small child, used his trauma and vast personal wealth to
travel the world and gain the skills needed to wage his war on crime. Batman
utilizes his keen analytical mind and sophisticated technology and gadgetry, as
well as outstanding physical agility, power and stamina to ensure that criminals
never feel safe in Gotham, and are always afraid of the dark at night. In the
eyes of the public, the Batman is believed to be both an urban legend and
something more than human: an indeterminable black specter that represents
terror. Wayne reasoned that fear was his weakness as a child, but as a man, it
became his weapon.
The Golden Age and the early 1950s
The character of Batman made his first appearance in the
pages of Detective Comics #27 in May 1939. In Spring of 1940, Batman #1 was
published and introduced new characters into Batman's pantheon, most notably
those of Catwoman and Batman's eventual arch-nemesis, the Joker. Alfred
Pennyworth, the Wayne family butler, was introduced in issue #16 (April–May
1943).
Editor Whitney Ellsworth assigned a Batman story to artist
Dick Sprang in 1941. Anticipating that Bob Kane would be drafted to serve in
World War II, DC inventoried Sprang's work to safeguard against delays.
Sprang's first published Batman work was the Batman and Robin figures on the
cover of Batman #18 (Aug.-Sept. 1943), reproduced from the art for page 13 of
the later-published Detective Comics #84 (Feb. 1944). Sprang's first original
published Batman work, and first interior-story work, appeared in Batman #19
(Oct.-Nov. 1943), for which he drew the cover and the first three Batman
stories, and penciled the fourth Batman story, inked by Norm Fallon. Like all
Batman artists of the time, Sprang went uncredited as a ghost artist for Kane.
Villains which debuted during this early era included the Mad
Hatter in issue #49 (October 1948) and Killer Moth in issue #63 (February
1951). In 1953, Sheldon Moldoff became another one of the primary Batman ghost
artists who, along with Win Mortimer and Dick Sprang, drew stories credited to
Bob Kane, following Kane's style and under Kane's supervision. Bill Finger and
Moldoff introduced Ace the Bat-Hound in #92 (June 1955).
The Silver Age
The early part of the era known to comics fans and
historians as the Silver Age of Comic Books saw the Batman title dabble in
science fiction. New characters introduced included Mr. Freeze and Betty Kane,
the original Bat-Girl.
In 1964, Julius Schwartz was made responsible for reviving
the faded Batman titles. He jettisoned the sillier aspects that had crept into
the series such as Ace the Bathound and Bat-Mite and gave the character a
"New Look" that premiered in Detective Comics #327 (May 1964).
Schwartz's first issue of the Batman title was #164 (June 1964). The Riddler
returned after an eighteen-year absence in #171 (May 1965). Among the new
villains introduced during this period was Poison Ivy in #181 (June 1966). In
the 1960s, Batman comics were affected by the popular Batman television series,
with campy stories based on the tongue-in-cheek premise of the series. After the
Batman television program's influence had died down, writer Frank Robbins and
artist Irv Novick sent Dick Grayson off to attend college and moved Batman out
of Wayne Manor in issue #217 (December 1969).
The 1970s
In 1971, writer Dennis O'Neil and artist Neal Adams came
aboard the title and re-infused it with the darker tones of the 1940s. O'Neil
and Adams introduced a new villain named Ra's al Ghul, and would also
revitalize the Joker by bringing him back to his roots as a homicidal maniac
who murders people on a whim. Batman #237 (December 1971) featured a
metafictional story by O'Neil and Adams which featured several comics creators
appearing in the story and interacting with Batman and Robin at the Rutland
Halloween Parade in Rutland, Vermont. O'Neil said his work on the Batman series
was "simply to take it back to where it started. I went to the DC library
and read some of the early stories. I tried to get a sense of what Kane and
Finger were after." Comics historian Les Daniels observed that
"O'Neil's interpretation of Batman as a vengeful obsessive-compulsive,
which he modestly describes as a return to the roots, was actually an act of
creative imagination that has influenced every subsequent version of the Dark
Knight." The title became a 100 Page Super Spectacular for issues #254
(January–February 1974) to #261 (March–April 1975). The series reached its
300th issue with a June 1978 cover date and featured a story by writer David
Vern Reed and artists Walt Simonson and Dick Giordano. Len Wein became the
writer of the series with issue #307 (January 1979) and in his first issue,
created Wayne Foundation executive Lucius Fox, later portrayed by Morgan
Freeman in the movies Batman Begins and The Dark Knight and finally The Dark
Knight Rises. Julius Schwartz ended his tenure as editor of the series with
issue #309 (March 1979).
The 1980s
Writer Gerry Conway and artist Don Newton introduced Jason
Todd in Batman #357 (March 1983). Todd would assume the costumed identity of
Robin in issue #368 (February 1984). Writer Doug Moench began his run on the
title with issue #360 and he and artist Tom Mandrake created the Black Mask
character in Batman #386 (August 1985). Moench's longtime collaborator, artist
Paul Gulacy made his DC Comics debut with a two-part story in issues #393 and
#394. The title reached its 400th issue in October 1986 and featured work by
several popular comics artists and included an introduction by novelist Stephen
King.
Due to the events of the Crisis on Infinite Earths, the
continuity of DC Comics was altered. Established characters were given the
opportunity to be reintroduced in new ways. While the Batman series was not
rebooted, writer Frank Miller, who had previously worked on the limited series
The Dark Knight Returns, and artist David Mazzucchelli retold the character's
origin story for the new continuity in the monthly pages of Batman issues
404–407 (February–May 1987). The story, Batman: Year One, garnered high
critical acclaim for its realistic interpretation of Batman's genesis, and its
accessibility to new readers who had never followed Batman before. IGN Comics
ranked Batman: Year One at the top of a list of the 25 greatest Batman graphic
novels, saying that "no other book before or since has quite captured the
realism, the grit and the humanity of Gordon and Batman so perfectly."
Notable comic book creators Greg Rucka, Jeph Loeb, and Judd Winick have cited
Year One as their favorite Batman story. Following "Year One", writer
Max Allan Collins and artist Chris Warner crafted a new origin for Jason Todd.
Jim Starlin became the writer of Batman and one of his first storylines for the
title was "Ten Nights of The Beast" in issues #417 – 420 (March –
June 1988) which introduced the KGBeast. During Starlin's tenure on the title, DC
Comics was becoming aware of the fanbase's growing disdain for the character of
Jason Todd, Following a cliffhanger in which the character's life hangs in the
balance, DC set up a 900 number hotline which gave callers the ability to vote
for or against Jason Todd's death. The kill option won by a narrow majority,
and the following month the character was shown dying from wounds inflicted in
the previous issue's cliffhanger. The story, entitled "A Death in the
Family," received high media exposure due to the shocking nature in which
a familiar character's life had ended. Writer Marv Wolfman and artist Pat
Broderick created Tim Drake in issue #436 in the "Batman: Year Three"
story and the character became the third version of Robin in the "A Lonely
Place of Dying" storyline culminating in issue #442.
1990s
Partially impacted by the tone of Tim Burton's 1989 film
Batman, the comics of the 1990s took a darker tone. The Tim Drake version of
Robin was given a new costume designed by Neal Adams in issue #457 (December
1990) in a story by Alan Grant and Norm Breyfogle. The main writers of the
Batman franchise in the 1990s were Grant, Doug Moench, and Chuck Dixon. Moench
and Dixon masterminded the Knightfall crossover arc, which saw Batman's back
being broken by the super strong villain Bane. A new character, Jean-Paul
Valley, takes up the Batman mantle in Bruce Wayne's absence. Valley is driven
mad with power, and Wayne forcefully reclaims it after his recovery.
The Batman titles in 1999 were dominated by the large
crossover "No Man's Land", which sees Gotham City ravaged by a large
earthquake, leading to the U.S. government's order to evacuate the city and
abandoning and isolating those who choose to remain behind. Writer Greg Rucka
adapted the story into a prose novel published in 2000.
2000s
2000–2003
After the conclusion to "No Man's Land" and Greg
Rucka's move to Detective, the Batman title was handled for seven issues by
writer Larry Hama and artist Scott McDaniel. At issue #582, Ed Brubaker became
the writer of the series and kept a trend of gritty crime drama that included
more grounded villains such as the Penguin, Brubaker's new villain Zeiss, and
Deadshot.] Brubaker's run received a short interruption with an arc title
"Officer Down", which depicted Commissioner Gordon being shot in the
line of duty and ultimately retiring from the Gotham police force. From there,
writer Brian K. Vaughan did a three-issue arc that focused on Batman's created
crime persona Matches Malone before Brubaker returned. The next crossover, masterminded
by Brubaker and Rucka and titled "Bruce Wayne: Murderer?" saw Bruce
Wayne framed for the murder of his girlfriend and nearly abandoning his
civilian identity altogether.
For the #600 issue, the series moved into the next phase of
Wayne's frame-up and featured three backup stories, which were presented as
lost issues never before published from iconic eras in Batman's history.
"Mystery of the Black Bat" is presented in the style of Dick Sprang
and "Joker Tips His Hat!" is an homage to the 1960s stories by
artists such as Gil Kane and Carmine Infantino. "The Dark, Groovy, Solid,
Far-out, Right-on, and Completely With-it Knight Returns" is a humorous
spin on Batman's character trying to update himself into the eighties, and
featured stand-up comedian Patton Oswalt's comic writing debut.After the
frame-up story concluded, Brubaker closed his run with two issues co-written
with Geoff Johns.
2003–2006
Writer Jeph Loeb and artist Jim Lee crafted a year-long
story which began with issue #608, The "Hush" storyline was a murder
mystery that delved through numerous periods in Batman's history. Introducing a
new character that was the story's namesake, as well as redefining the Riddler,
healing Harvey Dent, and calling into question the events surrounding Jason
Todd's death, Following the conclusion of Hush, the creative team of the
Vertigo series 100 Bullets came aboard for a six-issue arc titled "Broken
City". Writer Judd Winick became the ongoing writer for the series and in
a story titled "Under the Hood", explained that Jason Todd had
actually returned from the dead long ago, and became an anti-hero in Gotham
under the guise of the Red Hood.
After the Infinite Crisis series, all the regular monthly
titles of the DC Universe jumped forward in time by one year, depicting the
characters in radically different situations and environments then they were in
the preceding issues. "Face the Face", was written by James Robinson
and saw Batman returning from a year-long overseas journey that retraced the steps
he took after initially leaving Gotham City in his youth and featured the
return of James Gordon to the role of Gotham City Police Commissioner.
2006–2009
Grant Morrison began his long-form Batman narrative in issue
#655. The first story, "Batman & Son," reveals that Wayne is the
father of a child named Damian, and attempts to steer the child away from the
machinations of his mother, Talia al Ghul.From there, Morrison began an arc
that saw an evil influential organization known as the Black Glove attempt to
destroy everything Batman is and what he stands for. This culminated in the
storyline Batman R.I.P., where the Black Glove initially succeeds in doing so,
but is thwarted by Bruce Wayne's ability to preserve his sane mind while an
erratic, alternate personality takes over.After stopping the Black Glove,
Morrison moved Batman into his event series Final Crisis, where Batman appears
to be killed by Darkseid.In actuality, he was transported to the distant past
and stranded there.Neil Gaiman wrote issue #686, which was the first part of a
story titled Whatever Happened to the Caped Crusader? It served as a quasi-send
off to a generation of Batman stories, much the same way as Alan Moore's
Whatever Happened to the Man of Tomorrow? did for Superman, and continued into an
issue of Detective Comics.
After this, the main Batman series went on hiatus while the
Battle for the Cowl mini-series would have Dick Grayson assume the role of
Batman in the wake of Bruce Wayne's disappearance from the present-day DC
Universe.Grant Morrison stayed involved in writing Batman, but moved to a new
series titled Batman and Robin, which followed the exploits of Grayson as
Batman and Damian Wayne as the new Robin.Writer Judd Winick temporarily
returned to the title for Grayson's first solo arc as Batman,before handing the
writing and art duties off to Tony Daniel.
2010s
Daniel remained the main writer on the series until issue
#699. The title reached a milestone with the publication of Batman #700 (August
2010), which saw the return of Grant Morrison to the title and a collaboration
with an art team that consisted of Daniel, Frank Quitely, Andy Kubert, and
David Finch. The separate stories tied together to illustrate that the legacy
of Batman is unending, and will survive into the furthest reaches of time.
Morrison stayed on as writer on the series through issue #702, while
simultaneously writing the Batman and Robin series and the The Return of Bruce
Wayne mini-series. Tony Daniel resumed writing and art duties with issue #704.
Even after Bruce Wayne's return, Dick Grayson remained the star of this title
through its final year, as well as being the main character in Batman and Robin
and Detective Comics. Bruce Wayne starred in two new titles, Batman
Incorporated and Batman: The Dark Knight.
On June 1, 2011, it was announced that all series taking
place within the shared DC Universe would be either canceled or relaunched with
new #1 issues, after a new continuity was created in the wake of the Flashpoint
event. Batman was no exception, and the first issue of the new series was
released on September 21, 2011.
The New 52
DC Comics relaunched Batman with issue #1 in September 2011,
written by Scott Snyder and drawn by Greg Capullo, as part of DC's company-wide
title relaunch, The New 52. As with all of the books associated with the DC
relaunch, Bruce Wayne appears to be about five years younger than the previous
incarnation of the character. Superheroes at large have appeared only in the
past five years, and are viewed with, at best, suspicion, and, at worst,
outright hostility. All of the characters that have served as Robin, except
Stephanie Brown, have been accounted for as still having served at Batman's
side in the new continuity. The stories build on recent developments, with most
of the character's previous history remaining intact, and Bruce Wayne is again
the only Batman, with Dick Grayson having returned to his role as Nightwing.
The first story arc of the title, "The Court of
Owls", focuses on Batman's discovery of a secret society in Gotham City
that he had never known about before, dating back to the time of Gotham's
founding and his ancestor Alan Wayne, and his battles against the Talons, the
agents of the Court of Owls. This led to the first major New 52 crossover,
"Night of the Owls". The finale of the story sees Thomas Wayne Jr. as
the head Talon of the Court of Owls in Gotham.
The second arc was named "Batman: Death of the
Family", a name-play on the "Batman: A Death in the Family". It
picked up on the cliffhanger involving the Joker from Tony Daniel's run on
Detective Comics.
Talon, a spin-off of the "Court of Owls"
storyline, launched in September 2012 and focuses on a rogue Talon from the
Court.
Maturity of content
The first stories appearing in the Batman comic were written
by Bill Finger and illustrated by Bob Kane, though Finger went uncredited for
years thereafter. These early stories depicted a vengeful Batman, not hesitant
to kill when he saw it as a necessary sacrifice. In one of the early stories,
he is depicted using a gun to stop a group of giant assailants. The Joker, a
psychopath who is notorious for using a special toxin that kills and mutilates
his victims, remains one of the most prolific and notorious Batman villains
created in this time period. Following the desire of creator Jerry Robinson
that the Joker not be a character who gets away with murder, for many years the
Joker was changed from cold-blooded murderer to playful trickster. Later,
during the Silver Age, this type of super-villain changed from disturbing psychological
assaults to the use of amusing gimmicks.
Typically, the primary challenges that the Batman faced in
this era were derived from villains who were purely evil; however, by the
1970s, the motivations of these characters, including obsessive compulsion,
child abuse and environmental fanaticism, were being explored more thoroughly.
Batman himself also underwent a transformation and became a much less
one-dimensional character, struggling with deeply rooted internal conflicts.
Although not canonical, Frank Miller's The Dark Knight Returns introduced a
significant evolution of the Batman's character in his eponymous series; he
became uncompromising and relentless in his struggle to revitalize Gotham. The
Batman often exhibited behavior that Gotham's elite labeled as excessively
violent as well as antisocial tendencies. Miller portrayed him with an
anti-heroic and near villainous characterization. This aspect of the Batman's
personality was also toned down considerably in the wake of the DC-wide
crossover Infinite Crisis, wherein Batman experienced a nervous breakdown and
reconsidered his philosophy and approaches to his relationships. Currently, the
Batman's attributes and personality are said to have been greatly influenced by
the traditional characterization by Dennis O'Neil and Neal Adams' portrayals
during the 1970s, although hints of the Miller interpretation appear in certain
aspects of his character.
Annuals
The Batman series has had annuals published beginning in
1961. Seven issues of Batman Annual were published from 1961 – Summer 1964. An
additional 17 issues were published from 1982 to 2000 and the numbering
continued from the 1961 series. Four more annuals were published from 2006 to
2011, again with the numbering continued from the previous series. In 2012, a
new annual series was begun with a #1 issue.
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